When Renzo Piano's first ideas for the new Harvard Art Museum were unveiled last May, there was an intriguing statement in the Boston Globe that the Sackler "will be repurposed".
What do you do for adaptive re-use of a building which was such an icon of "magazine architecture"?
Could be an interesting challenge for your students, Eamonn.
As the current exhibition demonstrates the Sackler's spaces, especially the top floor, are still excellent exhibition spaces 25 years after completion. Perhaps the Faculty offices need to change, if the the New Fogg becomes a more commercial and less scholarly enterprise.
Eamonn Canniffe leads the Architecture Research Centre and the MA in Architecture + Urbanism at the Manchester School of Architecture. He was educated in Architecture at Cambridge and Harvard Universities. In 1996 he held a Rome Scholarship in the Fine Arts at the British School at Rome. Between 1986 and 1998 he taught at the University of Manchester School of Architecture, and between 1998 and 2006 at the University of Sheffield School of Architecture. He is the author of Urban Ethic: Design in the Contemporary City (Routledge 2006) (Chinese edition 城市伦理--当代城市设计 2013) and The Politics of the Piazza: the history and meaning of the Italian square (Ashgate 2008). He is co-author (with Tom Jefferies) of Manchester Architecture Guide (1999) and (with Peter Blundell Jones) of Modern Architecture through Case Studies 1945-1990 (Architectural Press 2007), (Chinese edition 现代建筑的演变 1945--1990年 2009) (Spanish edition Modelos de la Arquitectura Moderna -Volumen II 1945-1990 2013). For a number of years he has served as Architecture Series Editor for Ashgate Publishing.
2 comments:
When Renzo Piano's first ideas for the new Harvard Art Museum were unveiled last May, there was an intriguing statement in the Boston Globe that the Sackler "will be repurposed".
What do you do for adaptive re-use of a building which was such an icon of "magazine architecture"?
Could be an interesting challenge for your students, Eamonn.
As the current exhibition demonstrates the Sackler's spaces, especially the top floor, are still excellent exhibition spaces 25 years after completion. Perhaps the Faculty offices need to change, if the the New Fogg becomes a more commercial and less scholarly enterprise.
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