Thanks for the recent series of posts on Greek Revival buildings in Liverpool and Manchester.
I'd show your picture of the Liverpool B of E dominated by that atrociously designed "citysafe HELP POINT" to a friend as evidence of the City of Culture's complete lack of any sense of visual culture.
But having just seen the shot of the Manchester Art Gallery with tram columns and stray traffic control features competing with atrociously designed banners poles erected by the Museum itself, I think that Manchester's city father should be hanging their heads in shame as well.
The street furniture is always a problem (as well as footballers' cars in Manchester and Liverpool). I shall be posting some images from Bordeaux soon where they do things very differently.
Eamonn Canniffe leads the Architecture Research Centre and the MA in Architecture + Urbanism at the Manchester School of Architecture. He was educated in Architecture at Cambridge and Harvard Universities. In 1996 he held a Rome Scholarship in the Fine Arts at the British School at Rome. Between 1986 and 1998 he taught at the University of Manchester School of Architecture, and between 1998 and 2006 at the University of Sheffield School of Architecture. He is the author of Urban Ethic: Design in the Contemporary City (Routledge 2006) (Chinese edition 城市伦理--当代城市设计 2013) and The Politics of the Piazza: the history and meaning of the Italian square (Ashgate 2008). He is co-author (with Tom Jefferies) of Manchester Architecture Guide (1999) and (with Peter Blundell Jones) of Modern Architecture through Case Studies 1945-1990 (Architectural Press 2007), (Chinese edition 现代建筑的演变 1945--1990年 2009) (Spanish edition Modelos de la Arquitectura Moderna -Volumen II 1945-1990 2013). For a number of years he has served as Architecture Series Editor for Ashgate Publishing.
2 comments:
Thanks for the recent series of posts on Greek Revival buildings in Liverpool and Manchester.
I'd show your picture of the Liverpool B of E dominated by that atrociously designed "citysafe HELP POINT" to a friend as evidence of the City of Culture's complete lack of any sense of visual culture.
But having just seen the shot of the Manchester Art Gallery with tram columns and stray traffic control features competing with atrociously designed banners poles erected by the Museum itself, I think that Manchester's city father should be hanging their heads in shame as well.
The street furniture is always a problem (as well as footballers' cars in Manchester and Liverpool). I shall be posting some images from Bordeaux soon where they do things very differently.
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